Anything and Everything About Movies!


Disney has released a new trailer for Rob Marshall’s Pirates of the Caribbean: On Stranger Tides.  I want to be excited for this flick but I still have mixed feelings on it.  On the one hand, I can’t believe that the plot is yet again “Jack must get the Black Pearl back from another pirate.”  But on the other hand, once the Pirates‘ theme music kicked in near the end of the trailer, I suddenly became pumped to return to this crazy world and see more adventure on the high seas.  There are some good jokes in the trailer, some imaginative designs, and I hope that this movie delivers.

Hit the jump to check out the trailer along with two new images.  Pirates of the Caribbean stars Johnny Depp, Penelope Cruz, Ian McShane, and Geoffrey Rush.  It opens in 3D on May 20th.

Click over to Yahoo! Movies to see the trailer in HD.





Here’s the official synopsis for Pirates of the Caribbean: On Stranger Tides:

Produced by Jerry Bruckheimer and directed by Rob Marshall, “Pirates of the Caribbean: On Stranger Tides” captures the fun, adventure and humor that ignited the hit franchise—this time in Disney Digital 3D™. Johnny Depp returns to his iconic role of Captain Jack Sparrow in an action-packed adventure. Crossing paths with the enigmatic Angelica (Penélope Cruz), he’s not sure if it’s love—or if she’s a ruthless con artist who’s using him to find the fabled Fountain of Youth. When she forces him aboard the “Queen Anne’s Revenge,” the ship of the legendary pirate Blackbeard (Ian McShane), Jack finds himself on an unexpected adventure in which he doesn’t know whom to fear more: Blackbeard or Angelica, with whom he shares a mysterious past. The international cast includes franchise vets Geoffrey Rush as the vengeful Captain Hector Barbossa and Kevin R. McNally as Captain Jack’s longtime comrade Joshamee Gibbs, plus Sam Claflin as a stalwart missionary and Astrid Bergès-Frisbey as a mysterious mermaid.




The 2011 box office isn’t out of its slump quite yet, but at least it’s starting to make an effort.  On Friday Sony’s PG-13 Battle: Los Angeles debuted to an estimated $13.5 million from 3,417 locations.  That puts the alien invasion pic on track for a weekend above $35 million – right about where Rango finished last Sunday.  The latter lizard landed in third this Friday but could leap back to second when weekend numbers are released.  Warner Brothers’ Red Riding Hood claimed the second spot but will have to do much better than its $5.7 million debut to reach the high teens many were predicting for the film’s weekend.  Finally, Disney has a real problem with Mars Needs Moms.  The last of the creepy toons to come out of Robert Zemeckis’ IMD brand, the $150 millionMoms made just $1.7 million on Friday and will be lucky to see $10 million by Sunday.  Full details and analysis tomorrow.

nd analysis tomorrow.

Title Friday Total
1 Battle: LA $13,500,000 $13.5
2 Red Riding Hood $5,700,000 $5.7
3 Rango $5,500,000 $51.1
4 The Adjustment Bureau $3,400,000 $30.3
5 Mars Needs Moms $1,700,000 $1.7




Several new images of Andrew Garfield on the set of Marc Webb’s The Amazing Spider-Man have popped up online. The images feature the wall-crawler in what looks to be a stand-off situation as well as a half-suited Garfield apparently taking tips on how to point a gun at a grounded opponent. All right, so that is probably a little out of character for Spidey.


In addition to Garfield, The Amazing Spider-Man also stars Emma Stone, Rhys Ifans, Martin Sheen, Sally Field, and Denis Leary. The film hits 3D theaters on July 3, 2012.

Here are a few of the images. Head over to The Daily Blam! to check out the rest of the set pics.




Here’s the press blurb Sony released when announcing its official titleThe Amazing Spider-Man:

The film, which is now in production and is being shot entirely in 3D, will be released on July 3, 2012.  The film stars Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, Martin Sheen, and Sally Field.  The film is directed by Marc Webb from a screenplay by James Vanderbilt and Alvin Sargent and Steve Kloves based on the Marvel Comic Book by Stan Lee and Steve Ditko.  Laura Ziskin, Avi Arad, and Matt Tolmach are producing the Marvel Entertainment production for Columbia Pictures.  The executive producers are Stan Lee, Kevin Feige, and Michael Grillo.  The film’s official website is



In what easily had to be one of the most painful, unfunny Oscar ceremonies in recent memory, The King’s Speech finally reached the end of its inevitable march to Best Picture.  It was the first Best Picture winner to win less than five Oscars (it won four, including Best Actor, Best Director, and Best Original Screenplay).  Does that make it more or less unworthy of the Best Picture crown?  I don’t know.  I don’t care. But i was wishing that The Social Network win it.

Full List of Winners Below:



BEST PICTURE: The King’s Speech

BEST DIRECTOR: Tom Hooper, The King’s Speech

BEST ACTOR: Colin Firth, The King’s Speech

BEST ACTRESS: Natalie Portman, Black Swan

BEST SUPPORTING ACTOR: Christian Bale,The Fighter



BEST ART DIRECTION: Alice in Wonderland


BEST COSTUME DESIGN: Alice in Wonderland



BEST EDITING: The Social Network


BEST MAKE-UP: The Wolfman

BEST SCORE: The Social Network

BEST SONG: Toy Story 3










Warner Bros. has released the teaser trailer for The Hangover Part II.  Rather than highlight a joke or two, the teaser makes the odd decision to highlight all of the critical acclaim for The Hangover.  It’s not necessarily a bad decision, but I would have liked to see at least one joke beyond “Hey, look!  A monkey wearing clothes!”  It’s probably just best to think of this as an announcement trailer and wait until the serious trailer hits in probably about six weeks or so.

Directed by Todd Phillips, The Hangover Part II stars Bradley Cooper, Ed Helms, Zach Galifianakis, Jeffrey Tambor, Mike Tyson, Justin Bartha, and Ken Jeong.  The film opens May 26th.

Click over to Apple to see the trailer in HD.

Here’s the official synopsis for The Hangover: Part II:

In theaters on May 26

(Warner Bros. Pictures/Legendary Pictures)

Director: Todd Phillips
Writers: Scot Armstrong, Todd Phillips, Craig Mazin
Producers: Todd Phillips, Dan Goldberg
Executive Producers: Thomas Tull, Jon Jashni, William Fay, Scott Budnick, Chris Bender, J.C. Spink

Cast: Bradley Cooper, Ed Helms, Zach Galifianakis, Jeffrey Tambor, Mike Tyson, Justin Bartha, Ken Jeong

Comedy. In the follow-up to the record-breaking hit comedy “The Hangover,” Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) and Doug (Justin Bartha) travel to exotic Thailand for Stu’s wedding. After the unforgettable bachelor party in Las Vegas, Stu is taking no chances and has opted for a safe, subdued pre-wedding brunch. However, things don’t always go as planned. What happens in Vegas may stay in Vegas, but what happens in Bangkok can’t even be imagined.





Check out the awesome online-only trailer for DIARY OF A WIMPY KID: RODRICK RULES. The sequel to Diary of a Wimpy Kid, “Rodrick Rules” brings back all the characters, fun, and wimpiness! Greg and Rodrick must work together, despite their brotherly differences. Rowley, Fregley, Patty, Chirag, and Manny are all back, too. Based on the best-selling book series by Jeff Kinney. (ITS ONE OF MY FAVORITE BOOKS SERIES!)


Welcome to the Next Grade!
In this sequel to 2010′s surprise hit, Greg Heffley, the kid who made “wimpy” cool is back in an all-new family comedy based on the best-selling follow-up novel by Jeff Kinney. (Kinney’s Wimpy Kid” series has thus far sold 42 million books.) As he begins seventh grade, Greg and his older brother — and chief tormentor — Rodrick must deal with their parents’ misguided attempts to have them bond.

DIARY OF A WIMPY KID 2: RODRICK RULES will be in theaters on March 25, 2011. Like the film on Facebook HERE and on Twitter HERE.




If you wanted to make Twilight but without the personality, you would have a film akin to the cynical cash-grab that is I Am Number Four.  Sure, Twilight’s personality is creepy and misogynistic, but it’s genuinely offering something to a particular audience even though I find that “thing” (idolization of possessive stalkers) repulsive.  I Am Number Four, on the other hand, is a vapid shell of a presumptuous franchise.  The film never bothers to establish compelling characters or compelling situations.  Every time I Am Number Four could do something interesting or inventive, it scurries away to the most predictable, bland solution it can find.  There’s nothing redeeming about I Am Number Four, from the script, to the action, to the visuals, to the performances, to presumably the craft services.  It rarely even shows the courtesy to be laughably bad.  It simply carries on and on and on and assumes the audience is enraptured in the adventures of dull, attractive teenagers.


“John Smith” (Pettyfer) is a refugee alien whose planet was destroyed by a race of evil aliens known as the Mogadorians.  Accompanied by his stern, paternal guardian Henri (Timothy Olyphant), John is “Number Four” of nine aliens who escaped his homeworld but is now being tracked on Earth by the Mogadorians.  This information isn’t shown to us or relayed in an inventive fashion, but rather through John’s bored-sounding monologue as he rides in a car with Henri on their way to a new fake life.  This detached, unimaginative description sets the tone for the tiresome movie the audience will be enduring for the next 110 minutes.


I Am Number Four is devoid of almost any humor, but it does get in an unintentionally hilarious moment when John, feeling cooped up and wanting to go to school, is told by Henri to “keep a low profile.”  So what does John do when he gets on campus?  He throws up his hoodie.  It’s a smart move because now no one will notice the GQ model wandering the halls of the local small town high school.

Unfortunately for John, the hoodie can’t stop the emergence of his powers, namely that he has flashlights for hands.  Henri explains that the nine who escaped the planet have superpowers and that John will learn to manage not only his flashlight hands, but also his newfound super-speed, strength, and agility.  John’s reaction to all of this should be, “Wait—I’m not only ridiculously handsome, but I also have superpowers?  It’s like I’m Justin Timberlake!”  Instead, he continues to mope and grimace while striking up a friendship with the school’s resident bullied kid (Callan McAuliffe) and gorgeous artsy chick (Dianna Agron).


As John deals with the burden of being hot, having superpowers, and receiving the attentions of a drop-dead beautiful bombshell, he’s also being hunted by the “Mogs” (which just made me think of the adorable creatures from the Final Fantasy series, but my nerdiness is no fault of the film’s) as well as a fellow refugee (Teresa Palmer).  Rather than develop the Mogs into an interesting species, they’re simply The Bad Guys.  They have pointy teeth, gills in their face, big black eyes, and enjoy killing.  Their hobbies include mocking humans and scaring fat children.  Their leader (Kevin Durand) doesn’t even get a name.  He’s simply credited as “Mogadorian Commander”.  As for Palmer’s character, she only exists to participate in the giant set piece at the end of the movie.  She is “Number Six” but “Generic Bad-Ass Chick #6784″ would fit just as well.

The movie is loaded with problems.  The effects look cheap, the pacing is a chore, and the direction is uninspired.  But the biggest problem is that I Am Number Four has no characters.  It’s difficult to fault the actors when they have absolutely nothing to work with.  Characters need to have flaws to make them more relatable.  There needs to be some kind of shading to let us know that while John may be from the planet of the Super-powered Handsomes, he’s not perfect.  Instead, the script chooses to waste time explaining how a girl as beautiful as Agron wouldn’t be insanely popular and getting hit on all the time (the answer: she used to be a cheerleader, but got into photography and her ex-boyfriend spread nasty rumors about her.  Also, she wears ugly hats.)


Rather than give us interesting characters in a worthwhile story, I Am Number Four is too busy imagining the glorious franchise its about to open up.  Like the abysmal Vampire’s Apprentice, it’s so busy setting up future stories, it forgets to tell a good one in the movie we’re currently watching.  It’s clear that someone looked at Twilight, assumed that Hot Teenagers + Supernatural = Profit, and that’s how you get I Am Number Four.  If we’re lucky and America doesn’t let me down, there won’t be an I Am Number Four Saga.

Rating: F


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